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 FEBRUARY 2002

Comrades!

In a month in which Mr George Walker Bush's speechwriters have been busy fetishising "evil" nation states, the Turtle has been busy grinding its own axes of revolutionary fervour, with Articles, Reviews and New Technology to show for our efforts.

From the fires of our Articles Section we have cast a troika of new essays, of varying revolutionary mettle. In the red heat of revolutionary flame, Aziz Choudry cautions us to listen critically to the tunes played by think-tank pipers, while Editor of the Turtle Raj Patel plays Scrabble with the New Partnership for African Development at the expense of Mr Tony Blair's smug missionary zeal. And from the ashes of revisionism, Jim Murphy dares us to think Third Way thoughts, and to let go our childish attachments to comprehensive social welfare provision.

Our Reviews Section has a keen edge this month, for Sasha Abramsky has been a loyal supporter of The Voice of the Turtle since the Summer of 1993, and the sparks flying off his preferred Machine Tool present a coruscating analysis of the US Prison Nation in his new book, Hard Time Blues, here reviewed by Raj Patel, and Leo Zeilig shows no mercy in kicking Ridley Scott's Black Hawk Down -- and he will kick it when it is down, for it was an appalling piece of work about which he is duly scathing. Leo's review usefully revives our somewhat moribund Film and TV section, after a gap of too many months, and for that we are particularly grateful.

Karl Marx reminds us that if things really were as they seemed, there would be no need for social science. And while superficially the Turtle may look the same as it always tends to do, the surface calm masks turbulence in the substructure beneath, which is experiencing violent, progressive tumults. For Comrade Paul Dundon, September 2001 Stakhanovite of the Month -- and now surely deserving of even greater honour -- has been hard at work on the digital guts of the Chelonian Pleasure Monster, putting in place an automated content-management system that will make everyone's lives, especially the Editors', much, much better. Lest we be accused of distorting the importance of this, we must remember that the Turtle exists through the goodwill and the hard work of its contributors alone, with only an occasional credit card payment or expenses claim to smooth our collective path. The labour bestowed upon this site is about as unalienated as it comes in this day and age, and given our ever increasing list of subscribers, writers and accumulators of books for review (at some unspecified date), the contradiction between the forces and relations of production has clearly been experiencing a small amount of fettering of late, prompting a crisis which can only be resolved -- and which now, we like to think, has been resolved -- through a transformation in the technological and organisational base to cope with the new energies unleashed by ongoing struggle.

And we do not take such energies for granted. Which is why we end with our usual plea: the Turtle can only continue to plough a not-so-lonely furrow through the aether of cyberspace arm in arm with you, the reader and -- we always remember -- potential writer. We are, as ever, keen to relay your thoughts on the Books, Films, Music and events of the day in your part of the world to a wider audience, and poetry, polemics, propaganda for your non-profit organisation of choice and even the occasional lazy memoir are always much appreciated by the Editors of the Turtle, whose extra-chelonian activities are rather hampering their ability to be as productive as they'd quite like.

Let the polymorphously perverse Turtle be your Valentine -- this and every month -- and teach yourself to sing the contrarian words which she/he/it so loves to hear!

And if you are stuck for something to write about, may we suggest joining in our symposium on Michael Hardt and Antonio Negri's Empire, which we hope to put together in early March? As with past symposia, there is no onus on anyone to write about anything in particular, just as long as the submission can be plausibly connected with some theme in the book. Luckily, given the scope of Empire, this isn't hard to do.

Avanti popolo!

The Editors

 

 
   
   
   

 

 
   
         

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